Header Ads Widget

Responsive Advertisement

Justify the title of the play A Doll’s House

The title of the play A Doll's House by Henrik Ibsen is a metaphor that describes the situation and the relationship of the main characters, Nora and Torvald Helmer. They live in a comfortable and tasteful house, but their marriage is based on lies, manipulation, and superficiality. Nora is treated as a doll by Torvald, who controls her actions, her money, and her speech. She is expected to play the role of a perfect wife and mother, who is obedient, cheerful, and dependent. She is also treated as a doll by society, which imposes strict rules and expectations on her. She has no identity, freedom, or happiness of her own.

The title of the play is significant and meaningful because it relates to the theme and the message of the play. The theme of the play is individual freedom and emancipation of self. The message of the play is that women have the right to be themselves and to pursue their own happiness and freedom. The title of the play suggests that Nora is living in a false and artificial world, where she is not respected or valued as a person, but as a toy or a possession. The title of the play also suggests that Nora is living in a confined and restricted space, where she has no room to grow or explore. The title of the play also suggests that Nora is living in a fragile and unstable situation, where everything can collapse or break at any moment.

The title of the play is supported by examples from the text that show how Nora is treated as a doll by Torvald and by society. For example, Torvald calls her pet names like "my little skylark" or "my little squirrel", which imply that she is childish, innocent, and dependent. He also scolds her for spending too much money or eating sweets, which implies that she is irresponsible, greedy, and unhealthy. He does not respect her as an equal partner but as a possession or a toy. He says: "I have it in me to become a different man if I could have you as you used to be" (Act III). He implies that he only loves her as long as she plays the role of a perfect wife and mother, who is obedient, cheerful, and submissive.


Nora is also treated as a doll by society, which imposes strict rules and expectations on her. She has to follow the social etiquette and manners that are expected of a woman of her class. She has to dress elegantly, speak properly, and behave gracefully. She has to hide her true feelings and opinions and pretend to be happy and content. She has no identity, freedom, or happiness of her own. She says: "I have been performing tricks for you, Torvald. That’s how I’ve survived. You wanted it like that. You and Papa have done me a great wrong. It’s because of you I’ve made nothing of my life" (Act III). She implies that she has been living a lie for the sake of her husband and her father, who have shaped her into their ideal woman.


The title of the play is also supported by examples from the text that show how Nora realizes that she is living in a doll's house and how she decides to leave it. For example, Nora realizes that Torvald does not love her as a person, but only as a doll that he can control and manipulate. She realizes that he does not respect her as an equal partner but as a possession or a toy. She realizes that he does not care about her feelings or her happiness, but only about his reputation and his pride. She says: "I have been greatly wronged, Torvald—first by Papa and then by you" (Act III). She implies that she has been treated as a doll by both her father and her husband.


Nora decides to leave Torvald and their children to seek her own education, independence, and self-respect. She decides to break free from the doll's house that confines and oppresses her. She decides to challenge the patriarchal authority and the legal system that discriminates against women. She decides to assert her rights and dignity as a human being, not as a doll. She decides to become an example of a modern woman who chooses to pursue her own happiness and freedom. She says: "I must stand quite alone if I am to understand myself and everything about me" (Act III). She implies that she needs to find herself and her freedom outside the confines of the doll's house.


The title of the play also reflects the social and historical context of the play and how it criticizes the traditional gender roles and social norms of its time. The play is set in Norway in 1879, a time when women were subjected to many stereotypes and restrictions. Women were expected to conform to the traditional gender roles

and social norms of their time, which limited their freedom, identity, and happiness. They were dependent on their husbands for their economic and legal status. They were also judged by the society that valued appearance, reputation, and morality over individuality, honesty, and justice.


The play criticizes the traditional gender roles and social norms of its time by showing the injustice and oppression that they cause to women. The play shows how women are treated as dolls by their husbands and by society, who control their actions, their money, and their speech. The play shows how women are expected to play the role of a perfect wife and mother, who is obedient, cheerful, and dependent. The play shows how women have no identity, freedom, or happiness of their own. The play shows how women are denied their rights and dignity as human beings equal to men.


The play also challenges and changes the traditional gender roles and social norms of its time by showing the rebellion and empowerment of women. The play shows how Nora defies her husband's authority and leaves him to seek her own education, independence, and self-respect. The play shows how Nora challenges the patriarchal authority and the legal system that discriminates against women. The play shows how Nora asserts her rights and dignity as a human being, not as a doll. The play shows how Nora becomes an example of a modern woman who chooses to pursue her own happiness and freedom.


The play A Doll's House by Henrik Ibsen was considered a scandalous and revolutionary work of art when it was first performed in 1879. It sparked a debate about the status and rights of women in society. It also inspired many women to question their own roles and expectations in their marriages and families. The play was a reflection of the social reality of its time, but also a catalyst for social change and progress.

Post a Comment

0 Comments